Eternals: A Detailed Review

Eternals: A New Perspective outside of the Avengers

A New Direction with the Upcoming Phase

9/10

Although I am late to the media coverage party for Eternals it’s still a great piece of hero film to talk about. Although with time and a good amount of articles being out we can clearly see that most of the critics and audiences lean towards this film not being favorable, that isn’t the case for this article. Now, this isn’t biased writing on the contrary I like to speak on other qualities than the industry’s way of working. As you the reader know, I don’t like to talk about whether the film is a film in the likes of comparing it to a pre-aged sense of the field, I write with pure intentions of mentioning whether a film is good in its storytelling and whether it’s a film to be enjoyed by all.

With that being said, Eternals matches everything one can look for in a film, it’s entertaining, has its classic Marvel comedy bits, action, and does an outstanding job at telling a story!

Overview

With most MCU films we can see a repetitive structure that they use in their films and although it’s repetitive it’s still loved by many, which is why many still come back for more; not to mention how it’s world-building and connecting its films piece by piece. Now, Eternals takes a different approach, taking into account that its main cast is filled with diverse characters some being in the LGBTQ+ community, different ethnicities, including a hearing-impaired heroine, and having its lead be an Asian woman, one would be perceptive to say that some of the criticisms in articles are made from biased perspectives. The story told goes above and beyond and its pacing is well made having the film’s run time of 2 hrs and 37 mins feel nothing short of an hour and 30 mins at most. The incredible cast brings their characters to life and honestly one leaves not only having a favorite of the 10 but also wanting to see more. It’s a highly enjoyable watch and I would recommend it to anyone wanting to look for a Friday night watch.

REview

A Quick Word for “Eternals”

When the first trailer came out back near mid-September, we obtained only a handful of trailers, teasers, or articles on the MCU project. Although it wasn’t marketed as much as other major films, the pieces and glimpses we got were enough to amaze me as well as others who watched the trailers. And after viewing it on the first release, it didn’t disappoint!

Having such a range of actors was definitely a beauty to see having Gemma Chan, who played Sersi, be the main protagonist and she killed her performance, although having seen her in Crazy Rich Asians I’d expect nothing more than incredible acting. Not to mention her amazing co-stars, having a deaf actress on-screen was phenomenal and Lauren Ridloff, who played Makkari, was a star in her own hitting great comedy and romantic notes all while doing ASL and simple mannerisms. We also have Lia McHugh, who although only has a handful of films in her portfolio, plays Sprite amazingly well and held her own bringing the audience’s emotions to turnover, which I’d say is always a win when playing characters who are supposed to make the audience have a certain grudge for their actions. We also bring our attention to Don Lee, who plays Gilgamesh, who is also making his debut in American made films (i.e Hollywood). Not to say he isn’t a star on his own, as he’s been in many great films, his most recognizable for American audiences would be his role in Train to Busan. Now I’m not forgetting the amazing talent that is Angelina Jolie, Kumeil Nanjiani, Salma Hayek, Brian Tyree Henry, and Richard Madden.

They’re all doing wonderful and emotional performances and if I wasn’t against writing 10pg school papers, I would include my love for each character and how their talent brought them to life on the big screen in Eternals. But to save time and your attention I’ll move on to my last points.

I know for many people they were expecting a typical MCU film when sitting in their theater seats, but that wasn’t the case for how this film played out. Chloé Zhao, who directed this film, does an out-of-the-norm move for Marvel and makes this film have a little more depth, having every character have a deeper story than just their powers or coolness. Chloé does an amazing job at showcasing the characters of the film and overall story, going beyond the hero’s journey route. Having especially Gemma Chan’s character, Sersi, ask questions about our own values, self-worth, and capabilities while asking philosophical questions about “God” and free will. Now, I know this isn’t the take that everyone got when watching but it sure is something I picked up, as well as it amplified my experience.

There are controversies that floated around articles, even some having clear biased opinions on the film based on prejudices of their beliefs, but this isn’t the article for that.

Now to wrap it up, this film is a great piece to watch and keeps its viewers entertained even if it isn’t their first watch. Its action, story, and talent performance is all to die for and my respect for Chloé Zhao increased by going out of the box with how she chose to direct this film. Now, I’m not saying there aren’t negatives, at the very least the inclusion of the evolved Deviant not having much use to the overall story, that is unless they continue it in future works. Aside from that, I give this film a solid 9/10, but don’t just take my word for it watch it yourself as “Eternals” comes out on Dec 24th, 2021. Give it another watch and let me know what you think. Till next time, peace.

HCAF21: ‘Petite Maman’ Review

Céline Sciamma’s newest feature is a beautiful exploration of grief and childhood.

Courtesy of Houston Cinema Arts Society

4/5

Well, it is time to conclude my coverage of the Houston Cinema Arts Festival as I get to talk about my last screening. I was able to watch this film through their virtual cinema because I could not make it to the in-person screening at the Museum of Fine Arts in Houston, Texas. First of all, words cannot express how thankful I am for the wonderful people over at the Houston Cinema Arts Society, thank you for allowing The Nerd Corps to be able to cover your festival and consume some wonderful cinema in the city of Houston. Now, how was Céline Sciamma’s follow-up to her magnum opus, Portrait of a Lady on Fire?

Petite Maman is written and directed by Céline Sciamma (Portrait of a Lady on Fire, Water Lillies) as she once again tackles the complexities of childhood coated in the grieving process. The film looks at Nelly (Josephine Sanz), a young girl who visits her recently deceased grandmother’s home with her father (Stéphane Varupenne) and mother (Nina Meurisse) to empty it. After her mom abruptly leaves one night, Nelly meets a little girl in the woods named Marion (Gabrielle Sanz) who embarks on a journey of self-reflection and discovery. Sciamma reunites with cinematographer, Claire Mathon, to provide the beautiful and minimalist visual language of her movie.

Petite Maman is simply enigmatic, it is filled with tender introspection that transcends its message. The performances from our two child leads are fantastic and hold their weight along with the adults of the film. The film is quiet and patient as it traverses through an understanding of grief and loss. The film is a tad bit short but all that needs to be said is said throughout its runtime. I felt the first half was a bit too rushed whereas the second half worked a bit more. Even though the offhand pacing of the film, Petite Maman still manages to stay warm and bright. Céline Sciamma reminds us once again that there is beauty in simplicity like the rest of her filmography.

Even though this is my last review of the festival I am happy to say that this was a delightful festival. The Nerd Corps appreciates all the work done by the Houston Cinema Arts Society. We hope to see you all again next year for the next installment of the Houston Cinema Arts Festival.

Petite Maman is still on its festival run and is available on the NEON Blu Ray Box Set.

HCAF21: ‘C’mon C’mon’ Review

Mike Mills’ newest directorial effort is an impressive strong examination of city life and familial dynamics.

CREDIT: A24

5/5

My last in-person screening at the Houston Cinema Arts Festival was a treat that I will remember forever. First and foremost, I would like to point out and shout out the amazing people at the Museum of Fine Arts in Houston, Texas. MFAH has one of if not the best screen and projector that my eyes have ever graced the opportunity to watch cinema on. It was a match made in cinema heaven to be able to watch this beautiful film in their theater. I was reminded once again why I love the theatrical experience so much and how streaming will never replicate this communal feeling ever. I walked into my first ever Mike Mills film and I can tell you that this has shot up into one of my favorite films of this year.

C’mon C’mon is written and directed by Mike Mills (Beginners, 20th Century Women) and stars Joaquin Phoenix, Gabby Hoffmann, Scoot McNairy, Molly Webster, Jaboukie Young-White, and Woody Norman. The film is exquisitely shot by Robbie Ryan and is being distributed by A24. The film follows Johnny (Joaquin Phoenix) as he takes care of Jesse (Woody Norman) because Jesse’s mom, Viv (Gaby Hoffmann), needs to take care of her husband who is in mental distress. We watch a beautiful familial relationship between Johnny and Jesse unfold as they spend more time with each other. Johnny is a podcaster who interviews children about their views about life and the future that awaits them.

C’mon C’mon is beautiful in every sense of the word. Its moments of sweet tenderness brought me to tears as I watched this charming story unfold. Filled with its bright light inside of an atmosphere of uncertainty, we find ourselves changing alongside the protagonists of the film. Mike Mills crafts one of the best films of the year that finds its way into your heart and holds it throughout the runtime. The performances are one of its strongest aspects especially that of the newcomer, Woody Norman. Its musical choices and score help create the atmosphere of the film that keeps your atttention. You are going to want to watch this film that contains one of Joaquin Phoenix’s best performances. I really can’t stop thinking about this magnificent film and hope that you all watch it soon.

Watch C’mon C’mon in theaters.

HCAF21: ‘Luchadoras’ Review

This resilient documentary shines a light on the fight inside and outside of the ring for these incredible luchadoras.

Courtesy of Houston Cinema Arts Society

3.5/5

When skimming the festival program for the Houston Cinema Arts Festival, a lot of films caught my eye. Some that were really anticipated and some that were unknown to me like this film. I read up on this beautiful documentary about some badass powerful women who are not just maneuvering the ring but life in Mexico. I arrived dressed for the occasion with my Jay White Grand Slam NJPW shirt like the massive fan of pro wrestling I am. I knew that this would not be a documentary completely concentrating on professional wrestling, but this mixed two of my biggest passions and delivered way past expectations.

Luchadoras looks at the lives of female professional wrestlers living in Ciudad Juarez, Mexico as they navigate the challenges of living in Mexico and the target placed on their gender identity. It is not breaking news to know that Mexico has been dealing with a long period of feminicide. It is already difficult to navigate the culture as a woman and those who live there must fight against a constant target placed on them. The documentary is directed by Paola Calvo and Patrick Jasim who also serve as writers alongside Phillip Kaminiak. Throughout the film, we follow the lives of Lady Candy, Mini Sinerita, Baby Star, and Little Star as they compete inside of the ring and outside of it to exist as women in Mexico. The film is also expertly shot and woven together by a beautiful and important story about female empowerment.

Pro wrestling is the perfect place to highlight these women since the squared circle is the only space where these women can showcase not just their physical strength but their emotional strength too. We are constantly looking at both sides of the border and how different it is to live on either side. Luchadoras is magnificent and a strong outing from a very talented crew of artists. The performances always feel real and it raises important conversations to be had. I am dying to be able to rewatch this film sometime soon. Please seek this out as soon as it is available to the public.

Watch Luchadoras as it continues its festival run.

HCAF21: ‘Red Rocket’ Review

Sean Baker returns to the big screen with his new film starring Simon Rex as a washed-up porn star seeking redemption in all the wrong places.

CREDIT: A24

3.5/5

I had the pleasure of attending the Houston Cinema Arts Festival on behalf of The Nerd Corps as press to cover the films shown during its run in Houston, Texas. I want to thank the wonderful people at the Houston Cinema Arts Society for allowing me and Luis to experience so much beautiful cinema in a city we both love and adore. The opening night treated us to a screening of Red Rocket, the newest film from Tangerine, and The Florida Project director, Sean Baker. The screening was followed by a Q&A session including director Sean Baker along with some of his cast like Bree Elrod, Brittany Rodriguez, and Ethan Darbone. Was magic struck once again in Sean Baker’s newest directorial effort?

Red Rocket is directed by Sean Baker, written by Baker and Chris Bergoch, and stars Simon Rex, Bree Elrod, and Suzanna Son. The film which Baker has been planning since one of his first films, Starlet. Of course, the ongoing COVID-19 pandemic allowed for the film to get fast-tracked as Baker could not work on an upcoming project due to quarantine protocols. Thus, with a minimal crew and a devoted cast of non-professional actors, Red Rocket was completed in various locations in Southeast Texas. The film marks the return of Simon Rex to the film industry after a long absence.

Sean Baker crafts a wonderful film that once again puts eyes on his growing stellar filmography. Simon Rex plays a “suitcase pimp” chasing redemption but blinded by greed and his selfish desires with vigor and nuance. Bree Elrod especially delivers a fantastic performance as Mikey’s ex-wife and ex-co-star, Lexi. The rest of the cast of non-professional actors steal the light and showcase their growing abilities. I was especially blown away by Brittany Rodriguez who plays the enforcer to a very important drug supplier in Texas City. This time Baker teams up with cinematographer Drew Daniels who expertly crafts the visual language of the film.

The film struggles at times to keep its footing introducing bits and pieces about characters that are abandoned or made minuscule in retrospect to the story at hand. Even though there are moments we can truly grasp the situation at hand, the film is lacking a stable pace that can let some of these moments breathe. I found myself liking the first half a lot more than the second half even though I had a great time with the film. Sean Baker once again knows how to bring out laughs from the audience and the performers turn in a great job selling the comedy in here. Even though there are faults within the film it is still a fantastic flick and another strong outing by one of the most interesting directors working today.

Watch Red Rocket in theaters and on streaming/VOD until next year.