Tenet Review: Don’t Try to Understand it, Feel it

Christopher Nolan’s back at it again, a triumphant return to save or at least help keep cinema progressing in these uncertain times we are living.

CREDIT: WarnerBros

What for me might be his best comes after a myriad of delays and issues through some of the most trying months in recent decades, and he still delivers the cinema experience. The film was a welcome and dearly missed feeling for 2 hours and a half (add on up to half an hour depending on your cinema’s add and trailers). I completely forgot about 2020 and everything that has been happening as of late.

From Nolan’s masterful sound design, the way it blends brilliantly crafted gunshots and other audio effects with Ludwig Göransson’s massive and bo bass-driven score to the way these tease Travis Scott’s “The Plan”-written for the film by Göransson, Scott and WondaGurl (Ebony Naomi Oshunrinde). There are multiple times the film is bringing in enough of the intro to the song to notice without feeling overbearing to the point it feels natural when it plays later.

If you weren’t all-in on John David Washington already, I don’t know what your excuse can be post-Tenet. The man leads this film without any hiccups when it comes to action while going toe to toe with Robert Pattinson and Kenneth Branagh dramatically. His performance builds and maintains chemistry with Elizabeth Debicki and forming one formidably charismatic duo with the aforementioned, Pattinson. If this film dragged or had many issues, this duo could probably mask quite a few, given that it doesn’t have any glaring ones of note, they shine all the brighter. These core four are surrounded quite well with some notable smaller roles where Michael Caine, Clémence Poésy, Himesh Patel, Dimple Kapadia, and Aaron Taylor Johnson all do very well with their screentime.

Tenet is a film that plays with palindromes, metaphors, and contrasting ideas while planting enough seeds throughout, for there always to be something in the background to enjoy upon a rewatch or further inspection, and while Nolan plays with the ideas of inversion the actions scenes involving these are sublime. Even the smaller, more mundane aspects have you walking out of the cinema as if you were the one inverted for at least a few steps. And I don’t know in the end, as a viewer I can’t get over the birds.

We may have no friends at dawn, but if you enjoyed Tenet, you have one in this fellow viewer. Tenet is playing in theaters internationally and will be opening limitedly in the United States on September 2nd.

‘Come and See’: A Horrific Masterpiece of Hell

Elem Klimov’s Come and See (1985) is a relentless horrific masterpiece that is a mandatory watch to understand the horrors of human ugliness.

CREDIT: Sovexportfilm

Usually, when one experiences a nightmare one at least wakes up from it, they will wake up in a sweat and tormented by what they experienced in their nightmare. If the nightmare was a one-time thing then you will go on with your day unfazed. There are also those nightmares that haunt you forever and you can never forget even if you try to. The atrocities depicted in Elem Klimov’s Come and See (1985) are a nightmare but they are nightmares that the people of Belarus never woke up from.

Come and See (1985) follows Flyora a young Belarusian boy who joins the Belarusian Partisans in their fight against the Nazis in 1943. Soon after Flyora’s village is exterminated he embarks on a journey that introduces him to the horrors of war. Throughout the film, you see atrocity after atrocity and it all effects and ultimately changes Flyora. From the first time you see Flyora to the last, you are witnessing a completely different person inside and out.

The film is masterfully directed by Elem Klimov, everything from the cinematography to the sound design and score formulates one of the most harrowing pieces of art I have seen since Polytechnique (2009) last year. The atrocities presented on the screen even though they are heavy to sit through are important to watch. I like many people in the United States never learned about these atrocities committed against the Belarusian people. Movies, like Come and See (1985), should be seen by everyone 17 and above in a history classroom setting. We must watch and learn from this part of our history as human beings. It is what we owe to those who had their villages burned down by soldiers who followed a hateful and outright evil ideology.

My life is forever changed after watching this picture, and I do not think I will ever be the same after watching this. I will have the Criterion Collection Blu Ray on my shelf as I wait for a time to rewatch it that may or may not come back. One thing is for sure, Come and See (1985) is truly the greatest war film of all time but not because it is a spectacle or a glamorization of these events. This film shows what we as humans are capable of and is a call for peace while also being evidence of these terrible moments.

You can stream Come and See (1985) on the Criterion Channel or purchase the new restoration on Criterion’s website or Barnes and Noble.

75 Films From Asia: HAPPY TOGETHER (1997)

Happy Together (1997), is a beautiful and sensual film from Wong Kar-wai that is a special achievement from the incredible director.

CREDIT: Kino International

There is not a lot of filmmakers that I can say that I fell in love with their work just one movie in. Now having watched Chungking Express (1995) and In The Mood For Love (2000), I can say that Wong Kar-wai has definitely made it to one of my favorite directors of all time. Even though those two films are hard to top it does not take away from this heartbreaking but sensual piece of art. Wong Kar-wai once again shows me that there is something so special to the way he crafts his movies. There is a sort enticing but saddening aspect about Happy Together (1997) that pours out of the screen when you watch it.

The film revolves around a turbulent romance between its protagonists, Ho Po-Wing and Lai Yiu-fai as they live in Buenos Aires, Argentina after moving from Hong Kong. It is filled with beautifully stylized love scenes and stunning chemistry between the two actors. You can totally feel the romance between the two of them, but most importantly you can feel the heartbreak both feel not being able to be there for each other. Both of them even though similar in ways are completely different opposites that attract.

The film combats homophobia, sex work, love, loneliness, obsession, and heartbreak on top of more minor themes. Kar-wai never fails to show the ups and downs of their relationship while creating a stylized piece of art. Everything from the music choices to the coloring choices makes the movie as exquisite as it feels. The picture never fails to depict its characteristics while also aiming to create something different from other romance films.

It is not as great as In The Mood For Love (2000) but it is also not a bad film by any means. I am sure that Wong Kar-wai does not even know what it means to make a bad movie. All three of these movies form him feel special, and they are all filled with something to fall in love with throughout its runtime.

Watch Happy Together (1997) on the Criterion Channel. Follow along with the rest of this challenge on Letterboxd or the google doc that has the rest of the films on this challenge.

75 Films From Asia: PERFECT BLUE (1997)

Satoshi Kon crafts a masterpiece of a film that will not just be remembered in anime but as a piece of cinematic art.

CREDIT: Rex Entertainment

Way back when before the pandemic hit on The Nerd Corps, we covered Millennium Actress (2001) from writer/director, Satoshi Kon. If you listened to the episode you know that I did not find that film anywhere close to being great. I thought it was convoluted and very disorganized in its story structure. Since then I had not watched another film from Kon and I was scared to possibly write this man off after just watching this one film (which you should never do).

Well, Perfect Blue (1997) is incredible from start to finish and never stops gripping at you. The film is constructed through the eyes of our protagonist, Mima Kirigoe, as she retires from her Japanese idol group and pursues her career in acting. We see the good and bad sides of this career as she encounters people obsessed with her and willing to cause her harm. Some of those causing her harm are those exact people within the film industry who are supposed to help her. The nuances of the film are so carefully crafted to create a picture that is so within the style of Kon’s framework.

The film deals with various themes such as obsession, voyeurism, and the harassment of young women within a male-dominated industry. Satoshi Kon perfects the blend of fantasy and reality within the film. Along with excellent writing and direction, the film features an incredible score, exquisite sound design, and profoundly beautiful animation that brings these characters to life. I am sure that this will end up in my top ten at the end of this challenge and in my top five anime films of all time.

Perfect Blue is available to stream on Hoopla through your public library or can be rented on all major movie watching platforms. Follow along with the rest of this challenge on Letterboxd or the google doc that has the rest of the films on this challenge.

75 Films From Asia: THE TERRORIZERS (1986)

Edward Yang’s 1986 film is an intricate piece of art that’s nuances and beauties might not be apparent at first but stick with you long after you’ve seen the film.

CREDIT: Central Motion Pictures

I have always heard of Taiwanese New Wave Cinema and probably the most notable director in the movement, Edward Yang, but I never decided to actually venture into him or this genre of film. Of course, there is a lot of movies and director in this challenge that I have never watched, but there was something about Edward Yang that was pulling me to him. This film has three groups of people that interact with each other as they maneuver a changing Taiwan not just politically but economically. The world is becoming more and more difficult for the youth to maneuver with globalization and money at its forefront.

To be quite frank, most of the time a movie like this would seem a bit too convoluted to me but that was not the case for The Terrorizers (1986). The message is so clearly there and filled with various nuances. I am sure the more films I watch from Yang, the more I will learn to appreciate this one a bit more. It is beautifully shot and directed with interesting characters who truly feel like a page out of Taiwan at the time with its changing landscape. The film poses this odd feeling of a documentary, as if it is a slice of life film but then returns to its odd story structure. I am hesitant to call this a masterpiece, but I am sure with time there will be more to dissect and analyze. Along with its brilliant writing, directing, and cinematography the film also features fantastic performances that truly give life to these characters Yang writes. My favorite being the novelist wife of the doctor who feels as she is caged by her own life and wants more out of it.

I am sure as time goes by I will learn to appreciate my introduction of Taiwanese New Wave cinema more and even the work of Edward Yang. This is a film that deserves more time to consume and a lot more time to think about. I will say this though, Edward Yang has a way of turning such a small scale story and making it grand. There was never a moment in this film that I did not feel that it did not feel as important as it is, and that is a testament to the filmmaker that is Edward Yang.

Watch The Terrorizers (1985) on Prime Video. Follow along with the rest of this challenge on Letterboxd or the google doc that has the rest of the films on this challenge.