Start With Seconds…

A REVIEW OF “THE UMBRELLA ACADEMY” SEASON 2 (SPOILER FREE)

Creator/Credit: Courtesy of Netflix

I question when I will hit the superhero movie fatigue that is always brought up in conversation when the likes of Marvel and DC throw out their beloved titles that the studios recognize as cash cows or when fanboys in a homicidal rage scream to the interwebz “Release *insert name”‘s Cut!”. All I have to say is, “Not Yet”. Also, I need to recognize the thought and effort put into television shows of the less well-known comic book entities. Of course one must mention “The Walking Dead” (even though that show should have ended around 4 seasons ago), HBO’s “Watchmen”, Amazon’s dark and entertaining superhero show “The Boys”, and of course Netflix and My Chemical Roman….I mean Gerard Way’s “The Umbrella Academy”. (Not to forget the now defunct and gone-too-soon shows of Netflix’s “Daredevil”, “Jessica Jones”, “Iron Fist”, “The Punisher”, and “Luke Cage”). I plan to keep this review as spoiler free as I can, but it is technically “Season 2”, so there will be mentioning of sh*t that occurred in “Season 1”.

Let me first start off by saying that I feel like it’s been ages since we met “The Umbrella Academy” (even though the show premiered in February of 2019) and the Hargreeves children who make the X-Men look like model citizens in comparison. If you don’t want to know the ending of season 1, please stop reading HERE.

Vanya f*cked sh*t up.

To give more detail in an eloquent manner, Vanya murdered the moon in season 1 which caused a giant piece of it to careen into the earth; killing all life as we know it. Luckily for our heroes, Number 5 (does…does he even have a name?) managed to transport them out of there and back to 1960s Texas, which turned out to be not so bad for most of the group (Klaus even got his own cult)…except for Allison, whose vocal chords had been sliced and has now been deposited in a time where racists denied African Americans their rights, including even the right to sit and be served at a diner.

And this is where I think the second season really one-ups the first season.

As the first season was our introduction to this new comic book world with a new family of enhanced beings with abilities, the second season goes full tilt into showing how they are able to cope being stranded in an era that did not take kindly to what was seen as different, be it Luther’s size, Klaus and Vanya’s sexuality, or Allison’s race. Really, the main plot of this season is just like the entire premise of “Quantum Leap” (another fantastic sci-fi show). Just like Dr. Samuel Beckett, they’re hoping their next leap will be the leap home.

In 10 episodes, Netflix is able to make us feel and empathize with what is going on with each and every one of the main characters (including even Ben, whose character arc was one of the best this season) while weaving an intricate narrative that climaxes into quite the spectacle. I wish I could go into quite more detail on the on-goings (seriously, go watch this…like, right now), but you’ll just have to live with me saying there’s blood, psychotic rage, goldfish, Antonio Banderas lookalikes, daddy issues, and of course (as Dominic Toretto quips in every one of his movies) family. – YoungYoda

For The Fans…

A Review of EL camino: A breaking bad movie

Photo Credit: Entertainment Weekly

Another movie this year which I chalked up to being “unnecessary”, but in this instance I still believe that. But, did I watch El Camino the second it dropped on Netflix? As Walter White once proclaimed, “You’re goddamn right.” I guess this review has a hint of spoiler territory if you’ve never seen the original six seasons of Breaking Bad. If this is the case, be sure to stop reading here and go watch the series as it is one of the best television moments to ever grace the airwaves.

When we last left off the story of Jesse Pinkman, he was driving off into the sunset in an El Camino stolen off the once living, meth dealing white supremacists whose corpses now littered the very compound they had been keeping Jesse hostage in. This all of course thanks to Walter White’s last minute heroics which included robots and a fully automatic machine gun (Seriously to all the readers, go watch Breaking Bad). Anyways, to me this was the perfect send off to a beloved character who was only supposed to get a very short episode arc, but due to Aaron Paul’s prodigious performance, he became the Oliver Hardy to Bryan Cranston’s Stan Laurel. This ending sees Jesse burst through the locked gate of his previous forced residence as we get a close-up to his face both laughing manically while crying tears of relief and delirium. It left all viewers who watched with the idea that Jesse, a character who had gone through hell during this last season, would have a happily ever-after. Vince Gilligan had capped off one of his greatest achievements with an ending that left most, if not all fans, satisfied.

A little more than six years later we get El Camino, whose existence is more of a love letter from Gilligan to the fans. Was it necessary? Far from it. Was it satisfying? Oh, hell yeah it was. The story starts right at the very ending of Breaking Bad and doesn’t slow down. We find that not all stories are straight forward and sometimes our characters go from the frying pan and into the fire. Fans of Breaking Bad will not lose that feeling of satisfaction by the end of this movie, but will have more details to go with it.

Seeing Aaron Paul back as his titular character is refreshing and getting call backs to conversations he had with his past castmates from Jonathan Banks to Bryan Cranston made me nostalgic for the series. Two characters whose portrayals must be recognized are that of Todd Alquist, played by Jesse Plemons, and Ed Galbraith, played by the now late Robert Forster (who passed away, the same day the movie was released, at the age of 78). These two characters help to provide the details of Jesse’s past and move the story forward into his future. All I can say is that it is a must to have the exact change when purchasing a vacuum.

Can a two hour movie provide the same quality as six seasons? No, but Vince Gilligan has penned a love letter to the fans that allows us to see some of our favorite characters one more time. For that, I am giving El Camino: A Breaking Bad Movie a 9.25/10. YoungYoda out.

“The Family” Conspiracy or Corruption?

A REVIEW OF THE NETFLIX MINISERIES

PHOTO CREDIT: DIGITAL SPY

Whether or not you believe in conspiracy theories, Netflix has put together a series that showcases the coming and goings of “The Family,”(also known as The Fellowship and the International Foundation) a secretive, religious sect that has had unfettered access to not only the most powerful in Congress, but to leaders all around the world.  Based on the series written by executive producer, Jeff Sharlet, the writer of such novels as C Street: The Fundamentalist Threat to American Democracy and The Family: The Secret Fundamentalism at the Heart of American Power, “The Family” is 5 episodes which take the viewer through recruitment of the youth, protection of their political proponents, and how they are affecting the today’s political landscapes all around the world. 

Now “The Family,” is not just some new, upstart organization.  Oh no, first started in 1935 by Abraham Vereide as more of a church for the elite.  Those who possessed some sort of power, be it as Congressman of Alabama or President of Uganda, were recruited in some manner.  Doug Coe, continued Vereide’s vision with the slight change of not putting a spotlight onto the organization but keeping their works under wraps which does give the appearance of what some would call “suspicious”. “The Family” appeals that there are no nefarious intentions in their operations and is only there to provide spiritual support through prayer meetings, support groups, and the like. 

Jeff Sharlet gives viewers a different interpretation, being that he had actually been recruited in his 20s to become a member and live at their estate in Arlington, VA called Ivanwald.  From his experience he allows viewers to see that having powerful friends and using Jesus as more of a prop to get a foot in the door of the influential, versus living according to his teachings, garnered the organization to continually increase it’s influence and have the ability to be in the ear of the decision makers.  In Jeff’s opinion, “The Family” is willing to forgive and forget the misdeeds of other if those others are “chosen” by God, no matter the offence.  One example given includes the protection of the ex-Senator of Nevada John Ensign whose continued extramarital affair with a staff member’s wife led him to bribe/placate the staff member into silence with a job as a lobbyist.  Although the staff member was met with jail time and the loss of any and all credibility due to ethics violations once this arrangement had come to light, John Ensign managed to not face any penalties other than having to resign from his position and fines (after the case had been reopened in 2013).  Sharlet gives the presumption that “The Family” acted as the safety net for Senator Ensign, as he was chosen by God to be in his position, while allowing all others caught in his wave of deceit to drown.

It is up to the viewer to determine for themselves if Netflix’s “The Family” is just a conspiracy documentary/dramatization made to sell the books of an ex-member whose interviews include many wronged by the very people he looks to bring out into the public eye…or, is it an expose into a political organization that has used religion as it’s stepping stool in order to place themselves next to the most powerful, be it presidents or dictators, as to sculpt the world how they see fit.  In my personal opinion, some imagery throughout this series seems to have an exaggeration placed within, but that doesn’t mean that it doesn’t do a great job at showing the public another hidden cog that turns the wheel of power in which “We the People” get no say.  I give “The Family” an 8 out of 10. – YoungYoda