Park Chan-wook conclude his Vengeance Trilogy with one of the most underrated pieces of cinema ever created.
The final film in Park Chan-wook’s Vengeance Trilogy is another fantastic inclusion in the masterclass of work that he has created. Lady Vengeance (2005) follows a similar pattern to Oldboy (2003) as it follows a woman released from prison for a murder she did not commit. Lee Geum-ja played by Lee Young-ae seeks revenge from the real murderer and this gets bloody fast. Now, even if the story sounds similar to Oldboy (2003), Chan-wook turns the table on you and creates another riveting and nuanced installment in his trilogy. The film not only follows by the beat of its drum but it also manages to include some of the most beautiful imagery I’ve seen yet.
Park Chan-wook is a director of many skills and this movie shows how rough his work can be but also including such tender nuances like the importance of a Mother being there for her daughter, sharing trauma to move past it together, and truly not being able to move on from trauma even if it is “fixed.” The world of this film is grim with a prison system that is so corrupt and unorganized that it allows for sexual assault and power structures to emerge inside. There’s a scene that truly empowers the idea of “teamwork makes the dream work.” I am so happy that I watched these three incredible films, and cannot wait to finish the rest of his filmography. One thing is certain, Park Chan-wook is my favorite Korean director and I am one hundred percent confident of that.
Watch Lady Vengeance (2005) on Shudder. Follow along with the rest of this challenge on Letterboxd or the google doc that has the rest of the films on this challenge.
The first film of Park Chan-wook’s Vengeance Trilogy is explosive, bloody, and incredibly nuanced from start to end.
I don’t know if I am just excited to continue with this challenge or just the thought of watching and reviewing a film by legendary Korean director, Park Chan-wook, which makes me incredibly excited? This is the first of his Vengeance Trilogy and I am starting to feel somewhat dumb for watching this one after Oldboy (2003) but maybe after this is all done I will watch the trilogy in order. Even though I had watched other films of his before this absolutely nothing could prepare me for this anxiety-inducing film from Chan-wook.
Sympathy for Mr. Vengeance (2002) follows the story of a deaf brother and his girlfriend as they try to acquire money for a kidney transplant for his sister by holding a wealthy man’s daughter for ransom. The film includes the cast of Song Kang-ho, Bae Doona, Han Bo-bae, and Im Ji-eun as they deliver excellent performances. Everyone is fantastic in this film, but I have to give it up for Shin Ha-kyun whose body language and mannerisms truly make the character of Ryu. Of course, Song Kang-ho is incredible as he always is and I think I might have to admit that he is probably one of if not the best Korean actor of all time.
The film does take a bit to unravel at first but once it picks up you are in for a ride that only Park Chan-wook can create. There are blood, sweat, and tears throughout this whole film with incredible levels of nuance on the subject matter. Once again, Chan-wook is no stranger to tackling classism and the faults of capitalism. He also tackles the state of the opposition against the higher class and how some may not even think such opposition even exists. Not only is this well written but it is photographed magnificently by Kim Byung-il, seriously every other shot can be hung up on a wall as an art piece. Sympathy for Mr. Vengeance (2002) is another masterpiece by the genius director and one that stands out in his already prolific filmography.
Watch Sympathy for Mr. Vengeance (2002) on Shudder. You can keep up with this movie challenge of mine by checking out my Letterboxd or the google doc of all the films I will be watching and reviewing.
Hirokazu Kore-eda’s Shoplifters (2018) is a perfectly crafted film that plays a tune with your heartstrings that you never want to end.
So if you were betting that I wouldn’t give out a five star in the first five movies I review for this challenge, then sadly today you lost, my friends. I don’t think I could even prepare myself for this movie. I wanted to watch this one not just because it won the Palme d’Or, but I’ve been recommended to watch Kore-eda’s work multiple times. I have to say that this did not disappoint in the slightest.
Shoplifters (2018) features a group of outsiders all banded together by their misfit qualities take into their home a little girl, which sets off a wide array of events and secrets surrounding the “family.” The film has its various twists and turns, which makes you learn to love this obscure family. You spend so much time with each character that makes it hard to say goodbye to some of them. Kor-eda does such a great job of making you care for these characters that when you find out the reason why they are together, it is hard to hold onto your prior feelings about them.
Kor-eda also includes necessary conversations in social class structures and classism. Why is it that the family has to shoplift to survive? Why do some of the family members have to resort to sex work as a means of making money? Overall, do any of these things make these strangers any less of a family than those of us bound by blood? The analysis included in this film is powerful and one that I will keep in mind when discussing some of the best movies from this challenge.
Shoplifters (2018) is available to watch on Hulu. Catch up on the rest of this challenge by visiting my Letterboxd or the google doc that includes all the films that I am covering. I implore every single person reading this review to watch this film, you will absolutely not regret it.
Bloody, suspenseful, and filled with twists and turns,Park Chan-wook creates a masterclass in storytelling.
This is not my first rodeo with South Korean cinema and by now you can tell I am not watching one whole country of films which sounds like a better idea right now but I am in too deep. I loved the Academy Award-winning film Parasite (2019) along with what I consider the best zombie film, Train to Busan (2016), and of course, I was amazed by Park Chan-wook’s The Handmaiden (2016). I still felt that my knowledge of South Korean cinema was vastly minimal, and because of that, I decided to begin with this gem.
Oldboy (2003) directed by legendary Korean filmmaker, Park Chan-wook, looks at Dae-Su (Cbol Min-sik) as he tries to find the man that mysteriously imprisoned him and the events that would unravel with this journey. This is the second film in a trilogy of three different films that do not follow an overarching story called, Vengeance Trilogy. The film is an absolute masterpiece but I seem to be saying twice now with this being the second film from Chan-wook I have seen. Everything from the amazing musical score to the incredible choreography of the corridor fight scene makes this one of the best movies I have ever seen. This beautifully stylized picture never lets you go from the beginning to the end. It is filled with twists and turns as normal for a Park Chan-wook film. As I progress on with this challenge I am without a doubt this makes it into my top 5 for sure.
Remember you can follow along with this challenge by following my Letterboxd list, or the google doc list of films that are left to watch.
Though the film has its flaws, this newest directorial effort from Judd Apatow is a great look into Pete Davidson’s life.
This newest film from Judd Apatow is a semi-autobiographical look into Pete Davidson (Saturday Night Live, Trainwreck) and the several struggles in his life. Whether it starts with his suicide attempt or his rocky relationship with his mother’s new boyfriend, according to Davidson this covers 75% of his life. The film also stars Marissa Tomei, Bill Burr, Maude Apatow, and Bel Powley who all do great jobs in their performances. The film is also co-written by Davidson so it adds a form of a personal touch when approaching this film.
As always Apatow does a great job at blending comedy and drama in this film that has truly created his style of writing and directing. What I appreciate the most from the film is the way that it commentators on how one can maneuver mental illness. The film is always vocal that Scott suffers from mental illness but he is always trying to find a way out of his mind. Even though the commentary is not subtle as some might hope, this is a movie that has to be loud about its subject matter to challenge the stigma of mental health. Now, this does not make the film perfect as I have noticed with a lot of Apatow’s work, the pacing is very off that the runtime could use some trimming. Other than that, there is a lot to appreciate from The King of Staten Island (2020) that could make it one of the best of this terrible year we know as 2020.
I am not sure if as of this moment this movie could boost Davidson’s career but I have a feeling it will. Judd Apatow is no stranger to putting comedic actors on the map with his films as seen with his work with Seth Rogen, Ben Stiller, and Jonah Hill. Along with rich visuals that truly emphasize Staten Island and bring a sort of authenticity to the film, The King of Staten Island is one to watch this year. Do not sleep on this movie and share some laughs or some very caring moments as you consume this movie. Even though this is not a perfect movie it thoroughly gets its message across to its audience.
Watch The King of Staten Island on video on demand anywhere you can rent movies.