Samuel Kishi crafts a remarkable film that reflects on the immigrant experience and the sacrifices they must make to survive.
I am a son of an immigrant, my father had to make the toughest decision to come over to a country he knew nothing about to be able to be with my mother. My mother is a daughter of immigrants, her parents made a tough decision to cross the border and provide a better life to their children than the one they had in Mexico. My family is filled with a history of being immigrants and we carry that with us every day of our lives. We are reminded every time we look around of the countless struggles and obstacles we crossed to be able to stand comfortably in this land we still don’t know a lot about. These are not easy decisions to make but sometimes they are the only viable ones. You have to leave your life back home and start from zero in a new place where you know nothing of the customs, language, and culture that you find yourself in now. There are many like you around but even then you still don’t entirely feel like you belong over here but you remember that in this life you have to sacrifice a lot. The Wolves is a film that follows these exact beats and speaks on this very experience.
The Wolves is directed by Samuel Kishi and stars Martha Reyes Arias, Maximiliano Nájar Márquez, and Leonardo Nájar Márquez as a family that immigrates to the United States from Mexico. The boys stay in their apartment that does not have a proper bed to sleep on while their mother works long shifts for multiple jobs while trying to make ends meet. The boys spend their days hanging out with each other and listening to tapes that their mother has left them with stories of the past and English lessons. The boys are given a set of rules they must follow but as their stay prolongs things get harder and harder to understand. All while they are told that one day they will get to go to Disneyland. These boys befriend their landlords while staying at this complex and get to know the neighborhood children who pose problems for them.
The film is expertly directed with a beautiful screenplay to accompany it. There was not a single moment here where my attention was somewhere else. I was emotional throughout this whole ordeal watching as these boys try to understand how much their mom is sacrificing for them. Maybe it is because I relate a lot to what these boys feel because I grew up a lot like them with not a lot as times were very tight with money. The film also is crafted with some exquisite and powerful cinematography by Octavio Arauz. Our main cast also give wonderful performances that creep right into your heart even when there is not a lot of words being spoken. The Wolves enriches your experience with empathy and beauty in understanding the immigrant experience. What is not being said directly is discussed through its moments of tenderness in the story.
We are following this journey with these children as viewers to understand the sacrifices someone must make to provide a good life to those they love. We understand everything must be given up when we have to leave all we know. We sympathize with the feeling of being lost and not knowing how to ask for the help when we really need it. We learn to be patient because we don’t always understand the severity of the situations we find ourselves in. Most importantly, we learn to just keep moving forward because at the end of the day we are all a culmination of the sacrifices that those who came before us made.
The nerds continue with their International Film Month reviews. This week they are revisiting Iranian Cinema after having spent a whole month looking at the films of Abbas Kiarostami. They are not covering Kiarostami this time around, instead this week Raul and Brad discuss the Academy Award winning film, A Separation. Listen and find out what they thought about this film!
IMDb Synopsis: A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer’s disease.
Pablo Larraín’s Ema transcends many fields to create a somber piece about the loss of control of one’s life.
I have been long overdue my exploration into the filmography of Pablo Larraín since I am really excited about his upcoming film with Kristen Stewart, Spencer, based on the life of Princess Diana that has been making lots of noise at the film festivals so far. Of course, this film is very different from what I imagine Spencer is going to be. Before this Larraín had made his academy award nominated film based on the life of First Lady Jackie Kennedy, Jackie. By looking at the synopsis you can tell that this a very different type of film and it was well worth the watch.
Ema looks at a tumultuous relationship between Ema (Mariana Di Girolamo) and Gastón (Gael García Bernal) after having to return their adopted son because of his pyromaniac behavior. Ema is a reggaetón dancer along with her other colleagues, while Gastón is a director of a dance company that does not align itself with the reggaetón style. Both of these two are very different individuals and leads to them having a different outlook on life and how to raise their child. The film is expertly shot by Sergio Armstrong with some exquisite framing especially of the dance scenes. The film also has some very tasteful and interesting lighting setups that help set up the atmosphere that these dancers find themselves in. Ema also includes some incredible musical compositions from Chilean American musician Nicolás Jaar that really makes this film’s sound and feeling unique. It is very influenced by an unorthodox style of reggaetón that does not sound nothing like the first or new wave of the genre.
The movie is wonderfully performed by our main protagonists, but I don’t think this movie is concerning itself with telling a tightly knit story more so examining the environment and what it means for those who want a little more out of this life. Ema is not your “normal” protagonist, but she does want things that all of us humans want. We want to be appreciated, understood, and most importantly given the chance to love or be loved. Ema does not go about it the right way to achieve most of these things especially given the overall plot and how she plans to take her child back. Throughout all of this there are two things that she knows that she at least loves, those being her child (both Polo and the eventual one she will have) and dancing. Both of these allow her to feel like the person she is and no one can take that from her. I found Ema to be a very surprising film and cannot wait for what else this director can offer.
Ema is available to rent on most video purchasing sites.
The nerds are joined for another Saturday Morning Review as we look at the newest James Wan horror film, Malignant. Fellow writer for The Nerd Corps, Luis Angel Garcia, joins us for the review as we talk about this film. I have no idea how to tell y’all that you should listen to this but this was quite the film. Listen to find out about our thoughts on the film along with what people on Letterboxd are saying. Go check this one out!
IMDb Synopsis: “Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities.”
Raul and Brad are joined by member of The Nerd Corps, Alex Flores, for their second review of International Film Month. Today, they are discussing the Mexican classic directed by legendary filmmaker Alfonso Cuarón,Y tu mamátambién. They discuss the ins and outs and what it meant to watch this film now compared to as when they were younger. Want to find out what they individually thought? Listen and find out on today’s episode of The Nerd Corps Podcast!
IMDb Synospsis: “In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.”