The nerds continue on with their horror film month this October. Let’s be honest, last week was an interesting week to discuss a horror film. Whether or not we enjoyed Possession we sure had some thoughts on it. It is the same for this week’s film, Tusk. Listen to find out what we thought about the film because this was quite the interesting watch…
IMDb Synopsis: “A brash and arrogant podcaster gets more than he bargained for when he travels to Canada to interview a mysterious recluse… who has a rather disturbing fondness for walruses.”
Raul and Brad continue on with their horror month here on The Nerd Corps podcast. This week they are taking it back to the early 80’s! They sit down and discuss the cult classic, Possession. These nerds definitely have a lot to say about this film so you want to listen to this one. What did they think? Check the episode out to find out!
IMDb Synopsis: “A woman starts exhibiting increasingly disturbing behavior after asking her husband for a divorce. Suspicions of infidelity soon give way to something much more sinister.”
As a filmmaker, we all start somewhere and somewhere is at making short films whether those are narrative or documentaries. The Nashville Film Festival provided a lot of incredible short films provided by their virtual cinema component this year. Now, I honestly cannot make a review for every single short I watched that I want to talk about because I would spam the site. So without a further ado let’s get into this master post of reviews of short films I was able to watch at the Nashville Film Festival this year!
Águilas (2021), directed by Kristy Guevara-Flanagan and Maite Zubiaurre
Águilas takes the viewer right into the journey for migrants who have gone missing while they are travelling through the Arizona desert. Our titular group is an organization that helps locate lost migrants who disappeared while on their journey through the desert. This film is masterful in so many ways. I had shivers going down my spine at specific moments that I am still thinking about now. The film works so well at taking you right into the heat of the rescue mission. They detail everything that they are looking for in order to track down these lost people. This is such a powerful and important documentary that I am not surprised it took the winner of Best Documentary Short at the festival. You do not want to miss this one whenever it becomes available.
Don’t Go Tellin’ Your Momma (2021), directed by Topaz Jones, Simon Davis, and Jason Sondock
Now, this film right here until I watched a certain film from tis festival was my favorite for a bit. Don’t Go Tellin’ Your Momma is exuberant in every aspect possible from its rich cinematography to its beautifully poetic structure. This documentary influenced by the Black ABC’s aims high with its ambition and hits every single mark available. This one had my attention through it all and never lost me. It felt like it was highly influenced by the films of Marlon T. Riggs. A delight of short documentary and just so important beyond comprehension.
Burros, directed by Jefferson Stein
Burros is a beautiful film about friendship and the dark realities of the immigrant experience. Throughout this film, we view the friendship between an indigenous child who befriends a migrant child who lost her way through the desert and cannot find her father. All while the indigenous child’s father’s work is closely related to the US Border Patrol in the area. We look the two blossom a beautiful friendship no matter their inability to communicate due to a language barrier. The film aims to discuss the immigrant experience and the harsh realities of it. It is expertly crafted by such compelling cinematography and beautiful performances by our cast. This film warmed my heart but at the same time decided to stomp on it.
I Am Afraid to Forget Your Face, directed by Sameh Alaa
This is my favorite film of the festival and what I believe to be one of the most riveting pieces of art I have seen this year. From the very beginning I am invested in this film about loss, love, and a repressive government. We embark on a journey as a man tries his hardest to be able to see his dead partner while not being allowed by his government to see her. The film is crafted with some of the most claustrophobic cinematography that is reminiscent of Son of Saul. This thought provoking film blew me away in every way possible and has left still shook to my very core.
Chuj Boys of Summer, directed by Max Walker-Silverman
As I round out these reviews of some excellent short films you’re probably thinking, “Raul why are you not ending this on the film you literally just called the best of the festival?” Well, I was planning on that until I watched this beautiful film. I can sit and explain so much about the immigrant experience based on many of my family’s lived experience but this film does it so well in such a short timeframe. Everything from the homesickness to the desire to want more out of life that is not just work. This short is so beautiful in every way and we truly watch a coming of age story about a teenager who just wants to be given an opportunity to flourish like everyone else. It is so important to also have a film that has their protagonists speaking throughout the whole film in an indigenous language.
All of these short films are so special in their own way. Each of these films are different in their own way like genre, execution, and story. All of these films are movies that you all should keep an eye out for once they are publicly released. Once again, thank you to Nashville Film Festival for giving us this opportunity and here is to more festival coverage to come!
Luis and Raul are all wrapped up with their coverage of Nashville Film Festival. They get together to discuss what they watched and how it went at their first film festival. What was their top 5 they watched? What could have been improved? How tired are they? Find out on this episode!
The Good Traitor is an interesting look into the life of Henrik Kauffmann that falls apart because of its uneven storytelling choices.
I adore my historical dramas especially as someone who is a major history buff, I can thank my brother for teaching me that. This film caught my eye because this was always something about World War II that interested me. I never thought that I would see a biopic on Henrik Kauffmann ever be made. Also, it was being presented in conjecture with the upcoming Nashville Jewish Film Festival which caught my eye while watching the introduction before the film. This was my last film of the festival but I did not want to end my coverage on such a negative note so I still have much to discuss.
The film is directed by Christina Rosendahl and written by her along with Kristian Bang Foss and Dunja Gry Jensen. The film stars Ulrich Thomsen, Denise Gough, Mikkel Boe Følsgaard, and Zoë Tapper. The Good Traitor looks at the life of Henrik Kauffmann who was the Danish ambassador to Washington DC during the beginning of the second world war. Kauffmann helped to sign the United States’ acquisition of Greenland in order to help his country of Denmark. Sadly, I cannot report back that The Good Traitor is anything other than a messy depiction of a flawed man.
This film is beautifully shot by the cinematographer, Louise McLaughlin. I actually do like Ulrich Thomsen’s quiet and patient performance. My main gripes with this film comes from its very clunky script. The film tries to juggle his personal affairs in his family life while also trying to remind the viewer that the nation of Denmark is occupied by the Nazis. Every time we somewhat get to the interesting fluff of the film it gets interrupted by having to go back to the lackluster depiction of his tumultuous relationship with his wife, Charlotte. A clunky script followed by an uneven pace that makes having to get through this film difficult. I also just could not get behind some of the performances other than Thomsen in the film. I did find the set design and overall production design of the film to be exquisite. You could tell that the team was dedicated to portraying the time period in Denmark accurately. Even though, I did not think highly of this film, I do recommend people watch it as it is discussing an important part of world history that easily helped the US’s involvement in World War II.