The nerds are joined for another Saturday Morning Review as we look at the newest James Wan horror film, Malignant. Fellow writer for The Nerd Corps, Luis Angel Garcia, joins us for the review as we talk about this film. I have no idea how to tell y’all that you should listen to this but this was quite the film. Listen to find out about our thoughts on the film along with what people on Letterboxd are saying. Go check this one out!
IMDb Synopsis: “Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities.”
Fernanda Valadez shocks with her quiet and petrifying feature directorial debut look at the dangers of crossing the U.S. Mexico Border.
CREDIT: Kino Lorber
I won’t lie, it has been difficult to put pen to paper when it comes to what I thought about this film. Fernanda Valadez’s Identifying Features is incredible and that is a complete understatement. What she is able to accomplish is so moving and harrowing at the same time. I kind of hate myself for waiting so long to finally watch this. This is not just a film about unconditional love but the absolute terrifying reality of crossing the border. This is a story that is known all too well, I mean there are a lot of movies that have done this story before like Babel, Desierto, Under The Same Moon, and others that have discussed the pain and dangers of trying to gain a better life by crossing to a neighboring country. Valadez constructs this masterpiece by engrossing the viewer in a journey that absolutely never lets go of you or maybe you just can’t help but keep looking.
Identifying Features is a pretty simple movie on paper, a mother goes looking for her child after he goes missing when he and his friend embark on a journey to cross the Arizona/Mexico border. The cast includes actual mothers who are still looking for their missing children today like our main actress Mercedes Hernandez. This is already something that impressed me because I am a fan of non professional actors’ performances. There is something about someone who is not experienced in the art of acting that can come on and express themselves artistically without ever having acted on stage or in front of the camera. In regards to this film though you have people who know from experience these hardships. They are able to bring another level of experience and knowledge that any other actor could bring to it. The film is expertly shot by Claudia Berrecil Bulos who captures natural lighting in some beautiful external shots. My jaw was on the floor throughout the third act with all of its rich visuals accompanied by an exquisite color palette. The music adds to the hypnotic and mesmerizing nature of the film that creates this very uneasy atmosphere. Throughout it all, the strongest part of this film is the script and beautiful direction from Fernanda Valadez.
It is really hard to approach these stories for me living on the border and being a son of immigrants. Part of me wants to scream to the industry that we don’t need more and more of trauma stories being the only stories about Latinos on the screen, but also we fail to understand that these are our stories whether we like them or not. These are the stories of our ancestors and we have to make sure to not let these stories die off. We have to point the mirror to society and show them exactly what is happening because then they will never understand the immigrant experience. Every single time Mercedes Hernandez is on screen I am heartbroken. I want to reach over the screen and hug her because this is a reality that is too well known in Latin America but especially on the border. Valadez is hoping that if we cannot understand the immigrant experience we can at least begin to empathize with the immigrant experience. Sadly, I know there are still people who will watch this and say, “well they should have stayed in their country.” I think this film perfectly tells you that we wish it was that easy. I just hope anyone who is still going through this can watch this and find a sense of community of grief knowing that they are not alone in their experience.
Fernanda Valadez has a great career ahead of her. Her directorial knowledge shines bright throughout the whole film. The way she chooses shots, lingers on looks, and is able to get these performances out of first time actresses is groundbreaking for her upcoming career. She has a very patient approach to her thematic characteristics being discussed. She is an impeccable artist who will make more wonders like this in her lifetime. I know I am really excited to see what else she will make.
You can buy or rent Identifying Features on most purchasing sites like Amazon Prime Video.
Raul and Brad are joined by member of The Nerd Corps, Alex Flores, for their second review of International Film Month. Today, they are discussing the Mexican classic directed by legendary filmmaker Alfonso Cuarón,Y tu mamátambién. They discuss the ins and outs and what it meant to watch this film now compared to as when they were younger. Want to find out what they individually thought? Listen and find out on today’s episode of The Nerd Corps Podcast!
IMDb Synospsis: “In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.”
We finally kick off one of our favorite months here at The Nerd Corps. Every September we have our yearly International Film Month. We pick movies from outside of the United States and discuss them. Sometimes we pick stuff we have seen and sometimes we pick stuff we have no idea about! We are starting our month by looking at one of Andrei Tarkovsky’s most acclaimed works, Andrei Rublev. Listen and find out what we thought about this Russian historical epic!
IMDb Synopsis: “The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev.“
SHang-CHi and Legend of the Ten RIngs: It’s INCREDIBLE!!!
It’s not just a Marvel movie!
Shang – Chi has finally released, and people are running to go see it. Even if I am exaggerating just a bit, if you go check your local theater app you’ll see that the special screenings are pack for tonight and honestly it’s great knowing that this movie is getting the recognition it deserves!
With covid still around and new variants being found it was a dangerous game for Disney not to release it for a home audience, and having them call Shang – Chi an “experiment” is just objectively a disgraceful thing to do, no matter the intention, location, or talking to investors. But seeing the theaters fill up, with precautions of course, it fills my heart with joy for the film getting its deserved spotlight.
As a person that uses the theater experience to get away from certain worries the world brings, I’m glad to report that this film is exactly that, an out of world experience that should be enjoyed in Dolby and/or Imax. Once you begin to watch, you forget it’s even related to the MCU having certain instances that reflect back towards the other films and of course the obvious use of post credit and mid credit scenes of the film that’s used to expand the lore of the world(s). But this isn’t the article you want to read if your only interest is looking through fan theories, no, this will be a different type of review article. I enjoy going a little more beyond than the story and plot, and with this film having incredible Chinese influence and culture, and beautiful choreography I have my hands full, but I promise to make it worth your while.
Overview
Shang-Chi and Legend of the Ten Rings is a work of art having everything you want from a superhero film the fighting, the big bads being actually big bads, heroes reflecting, and so much more. I highly recommend this film for anyone contemplating to go see it, or even if you aren’t I still recommend it. Having an amazing cast, it brings everything together as the audience can normally tell if something is off between them, and Simu Liu and Awkwafina’s chemistry on screen is incredible something I never thought I needed in life. Just look at the picture above, it speaks for itself on the energy of the film and not to mention the great performances of Tony Leung Chiu-Wai, Fala Chen, Michelle Yeoh, Meng’er Zhang. This is definitely a film you have to experience on the big screen at least once and have it on a special screening too. In addition, I have to mention the incredible martial arts portrait and the stunt/ fight choreography performed in the film coordinated by the recently late Brad Allan. But please, don’t just take my word for it check out the trailer below!
Awkwafina middle, Simu Liu right. Shang-Chi and The Legend of the Ten Rings
Review
I have to mention there is minor and some major spoilers ahead for the film, so please keep in mind as you read.
I can’t state this enough, as everyone in the cast and crew did an incredible job at telling a story. For those that don’t know the story, it follows the life of Shang-Chi a young man whose father is “The Mandarin” although he goes by many names as he’s lived for thousands of years. His father created an empire and army throughout the years and surprisingly when he met his mother settled down a bit from his darker past. It was only until his mother’s death that his father went back to his old ways and even started brutally training him to the extent of being “unkillable”. That’s where we get Shang-Chi, the greatest martial artist the MCU or Marvel ever had. Although, he didn’t want to be a killer let alone for his father so he left and lived for 10 years without his past catching up. After which, he was brought in by his father, who always had tabs on him and now needed him to bring back his mother. At the end we realize it isn’t their mother and Shang-Chi tries to stop his father and the new evil at hand, of course leading to an epic fight and finale.
Now, Simu Liu playing Shang Chi, or as his new alias states Shaun, was a great casting choice and not surprisingly enough Marvel is a big name to be joining now in days. Although he’s not shy of joining amazing roles like Jung in Kim’s Convenience, or other such as being in the Taken series, a short called The Akira Project and a couple of other names. Not to forget mentioning Awkwafina, who we can all agree has been a growing love to see in films since having roles in Crazy Rich Asians, Ocean’s Eight, Raya and the Last Dragon, Jumanji: The Next Level, and many more. Both bring an amazing light to the film and their chemistry is outstanding, even to the extent of having a joke about the two characters marrying each other, and with all honesty I wouldn’t see it as a problem. We also have to talk about the other wonderful cast Tony Leung Chiu-Wai playing The Mandarin, Fala Chen playing Leiko Wu (Shang Chi’s mother), Michelle Yeoh playing Jiang Nan (Shang Chi’s aunt), Meng’er Zhang playing Xu Xialing (Shang Chi’s sister).
All great actresses and actor, having Tony’s portrayal of an immortal militant man and father was outstanding seeing what makes him feared by the world and his brutal ways of working to the softer more tame version brought out by his wife. Now Kevin Fiege has mentioned this film would restore the image of who The Mandarin is and that we’d be surprised by it, and with all honesty he’s right. I wasn’t expecting such a character arch for what was portrayed to be the baddest of the bad, don’t get me wrong Tony’s character was deadly but after his wife’s passing it was a matter of grief that drove him rather than a hunger for power. It honestly brought out an amount of sorrow towards the character in my opinion, as I’ve dealt with grief before not the same as his character had but grief nonetheless, and that’s what I loved about Tony’s portrayal! The subtle ways of speech, mannerisms and actions that showed what was really going on through the characters head all up until his last fight. Now Fala’s portrayal of the sweet graceful mother who could still be deadly in combat was great, and really added to why Shang-Chi was who he was, and as we heard in the trailer above he is both of these polar opposites’ son. Although we don’t see a great deal of the mother, her few instances were amazing and sweet, as how one would imagine a loving mother would be. This can also be said about a loving aunt just like Michelle Yeoh’s performance as the kid’s aunt, which showed beautiful choreography and fierce warrior scenes. Next we have Meng’er’s character of Xialing, Shang Chi’s sister, and we see they are more related than ever with her on screen performance being phenomenal in the fight sequences, and her boss energy. Unlike her brother, she was taught to fight but she watched from the shadows and taught herself, making herself into a killing machine if need be. Not to mention like her father, she created her own empire off of a fight club on the dark web, and showing something dope in the post credit scene.
Meng’re Zhang left, Simu Liu middle, Awkwafina right.
Now aside from great performances by these great actors and actresses, I also have to mention two more things without making this article any longer. The stunt and fight choreography in this film is incredible and beautiful taking roots from the old martial arts called wushu. It’s swift and light yet hard impact movements gave way to amazing scene fluidity and with it had me smiling for the entire night, just seeing such actions being portrayed Simu, Tony, Meng’re and everyone else was amazing!!! I have to give props to younger Shang Chi Dallas James Liu, who was a bad ass showing the skills of a young martial artist and even the performance of a young trained killer like Shang-Chi. Not to mention giving props to Brad Allan who work on the film as the fight coordinator before his passing due to an illness. He was an incredible stunt performer and coordinator that’s worked with greats like Edgar Wright and was a part of Jackie Chan’s team. That goes without saying he put his all in what he could before his passing and he will live on through his works. And we also have Andy Cheng to thank for the fight choreography, who was also a team member of Jackie’s stunt crew. It goes without saying but when you add incredible people to your crew you’re going to get incredible results. A lot of it reminded me of older kung fu movies with the swift movements in the air and tip toeing all around yet certain seem so realistic I don’t want to believe they used wires to create such movement.
The second thing I have to mention is the use of Chinese culture such as the imagery and the like, specifically mentioning this because of the hot water brought with viewers in the Eastern Hemisphere. I can’t and will not speak for their part but must mention that the older comics this movie originates from uses stereotypes of Chinese culture and Asian people as a whole. You can find a lot on this matter finding racist villain names and other like items being a big part of it. As I can’t speak for these viewers and their want to accurately depict their culture and life, I will say that the imagery used in this film was beautiful to me, leaving me with a mystical arts to it and with the choice of a small village by the water I found it calming.
All in all, Shang-Chi and The Legend of the Ten Rings was a spectacular time and experience that brought everything it offered in the trailer. As a person that loves hero stories and “perfect” fight choreography, this film brought out whatever serotonin I can scrap inside my head. I only hope as a filmmaker that I get a chance to also work and create similar works in the future. If you have been wanting to go see it and need a reason, I hope I can be that reason to convince you to go as soon as you can. And for those that are still iffy don’t take my word for it just go watch it and let me know what you think, till next time, peace.
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