Luis and Raul are all wrapped up with their coverage of Nashville Film Festival. They get together to discuss what they watched and how it went at their first film festival. What was their top 5 they watched? What could have been improved? How tired are they? Find out on this episode!
Psychokinesis (2018) is a noble and entertaining directorial effort with its various ups and downs.
All the superhero films I am used to watching are from the United States, which are controlled by the two giant brands, Marvel and DC. These films can get a bit stale over time with not much to say beyond the surface of the film. Now, this is not the first film Yeon Sang-ho having watched, Train To Busan (2016). I am even looking forward to his next directorial effort, Peninsula (2020). As you can tell, I went into Psychokinesis (2018) with some form of expectations seeing what this director can do with all his skills in his arsenal.
The film revolves around a bank security guard who gains telekinetic powers by drinking out of a water fountain that was struck by a meteor. He uses his powers to make money at first but then tries to help his estranged daughter when a company wants to take their family business down. Psychokinesis (2018) is a good movie with an interesting plot involving superpowers and class warfare. The film is not perfect by any means but it has a lot of heart in it. The film’s second act lacks structured pacing to it, and some of the characters feel as if they are just there with no motives. Although it is not great there are a lot of characteristics that make it worth finishing like its wonderful cinematography and fight choreography. Once again, the film shows that Yeon Sang-ho understands completely how to handle the camera and set up the atmosphere of the film. The problem of this film mostly lies within the writing of the film but overall it is not the worst or best movie-watching experience I have had.
Watch Psychokinesis (2018) on Netflix. We also reviewed this film on The Nerd Corps so go and check out what we had to say about it! Follow along with the rest of this challenge on Letterboxd or the google doc that has the rest of the films on this challenge.
Park Chan-wook conclude his Vengeance Trilogy with one of the most underrated pieces of cinema ever created.
The final film in Park Chan-wook’s Vengeance Trilogy is another fantastic inclusion in the masterclass of work that he has created. Lady Vengeance (2005) follows a similar pattern to Oldboy (2003) as it follows a woman released from prison for a murder she did not commit. Lee Geum-ja played by Lee Young-ae seeks revenge from the real murderer and this gets bloody fast. Now, even if the story sounds similar to Oldboy (2003), Chan-wook turns the table on you and creates another riveting and nuanced installment in his trilogy. The film not only follows by the beat of its drum but it also manages to include some of the most beautiful imagery I’ve seen yet.
Park Chan-wook is a director of many skills and this movie shows how rough his work can be but also including such tender nuances like the importance of a Mother being there for her daughter, sharing trauma to move past it together, and truly not being able to move on from trauma even if it is “fixed.” The world of this film is grim with a prison system that is so corrupt and unorganized that it allows for sexual assault and power structures to emerge inside. There’s a scene that truly empowers the idea of “teamwork makes the dream work.” I am so happy that I watched these three incredible films, and cannot wait to finish the rest of his filmography. One thing is certain, Park Chan-wook is my favorite Korean director and I am one hundred percent confident of that.
The first film of Park Chan-wook’s Vengeance Trilogy is explosive, bloody, and incredibly nuanced from start to end.
I don’t know if I am just excited to continue with this challenge or just the thought of watching and reviewing a film by legendary Korean director, Park Chan-wook, which makes me incredibly excited? This is the first of his Vengeance Trilogy and I am starting to feel somewhat dumb for watching this one after Oldboy (2003) but maybe after this is all done I will watch the trilogy in order. Even though I had watched other films of his before this absolutely nothing could prepare me for this anxiety-inducing film from Chan-wook.
Sympathy for Mr. Vengeance (2002) follows the story of a deaf brother and his girlfriend as they try to acquire money for a kidney transplant for his sister by holding a wealthy man’s daughter for ransom. The film includes the cast of Song Kang-ho, Bae Doona, Han Bo-bae, and Im Ji-eun as they deliver excellent performances. Everyone is fantastic in this film, but I have to give it up for Shin Ha-kyun whose body language and mannerisms truly make the character of Ryu. Of course, Song Kang-ho is incredible as he always is and I think I might have to admit that he is probably one of if not the best Korean actor of all time.
The film does take a bit to unravel at first but once it picks up you are in for a ride that only Park Chan-wook can create. There are blood, sweat, and tears throughout this whole film with incredible levels of nuance on the subject matter. Once again, Chan-wook is no stranger to tackling classism and the faults of capitalism. He also tackles the state of the opposition against the higher class and how some may not even think such opposition even exists. Not only is this well written but it is photographed magnificently by Kim Byung-il, seriously every other shot can be hung up on a wall as an art piece. Sympathy for Mr. Vengeance (2002) is another masterpiece by the genius director and one that stands out in his already prolific filmography.
Watch Sympathy for Mr. Vengeance (2002) on Shudder. You can keep up with this movie challenge of mine by checking out my Letterboxd or the google doc of all the films I will be watching and reviewing.